Born in Puerto Rico and raised in Harlem and East Harlem NYC, Vázquez came of age during the 1980s, when graffiti and hip-hop emerged as vital forms of expression in communities too often excluded from the cultural mainstream. These movements provided him not only with a language of rhythm and gesture but also with a philosophy of transformation: of claiming visibility, of making beauty out of what the world overlooked or discarded.
This sensibility extends into his studio practice. Alongside his vibrant abstractions, Vázquez creates assemblages that reimagine what others deem refuse—wood, metal, paper, fragments of the everyday—repurposed into works that pulse with dignity and vitality. In this act of reconfiguration, he aligns with a broader lineage of artists who have long redefined the very boundaries of material, imbuing the remnants of modern life with new meaning.
His canvases, meanwhile, vibrate with movement: bold strokes, layered textures, and shifting fields of color that echo both the density of the city and the improvisational freedom of music. The syncopated rhythms of jazz and the pulse of hip-hop infuse his work, turning painting into a visual equivalent of sound—at once spontaneous and intensely structured. Yet beyond rhythm and form, his abstractions are meditations on identity, resilience, and the persistence of memory. They invite us into the space between chaos and order, where histories—personal and collective, Nuyorican and diasporic—find expression in color and form.
Thus, undoubtedly, Vázquez has transmuted the urgency of the street and the remnants of the everyday into a refined painterly idiom.
